By Avrie Roberts, Guest Contributor If you’re non-military minded, like me, the thought of writing battle scenes makes you inwardly groan. Maybe also like me, you hate every attempt you’ve made at writing those scenes. You can get away with not including warfare in some stories, but what happens when you can’t avoid it any longer?
By Emily Steadman, Guest Contributor How do we create sympathy for the main character without villainizing whoever comes against her? How do we create tension and conflict while treating characters on all sides as three-dimensional people who can be good as well as bad?