By Irie Odessa Browning, Guest Contributor I love to act, but I’m a writer, too. One of the reasons I love acting is how it helps me develop my writing, mostly in the area of character development.
Miguel Flores, Guest Contributor People have told me their characters “talk” to them. These fictional characters use our brains as home base but are otherwise free to explore both their world and ours. When these vagabond ghost squatters re-enter our brains, they kick up their feet, scatter our neatly organized plot bunnies, and babble about their lives or rudely commentate on ours.
Janae Leeke, Guest Contributor: World building is just backwards sociology, piecing together a culture instead of picking it apart. It asks the same questions. What is important to your people? What do they treasure? What do they believe is right and wrong?
Rebecca Harrison, Guest Contributor Villains can be some of the most difficult characters to write and they can be the difference between a stagnant story and a powerful one.
Daniel Schwabauer I had re-written the novel, then titled Baht, in 2012, as 70,000+ words of first-person narrative. Only in writing the second-to-last chapter did I realize the book wasn’t working. Though it had a lot going for it (in my opinion, anyway), it still lacked something. It lacked oomph. Drive. A sense of compulsion. I wasn’t being pulled along by the story; I was driving the story ahead of me with a cattle-prod.