An interview by Tineke Bryson One of the most exciting aspects of the Summer Workshop is also—for some!—the most intimidating: critique groups. For that reason, I decided to ask the two members of our team—Rachel Garner and Gabrielle Schwabauer—who organize the critique groups to share their perspectives!
By Lydia DeGisi, Student Contributor When I was probably around eleven years old, I read a nonfiction book called Plot by a woman named Ansen Dibell. It was published in 1988, is considered a writing craft cornerstone by no one, and is criticized on Amazon for covering little original ground. I loved it, reading and rereading Plot in the same manner I read novels.
By Tineke Bryson, Staff Writer I don’t know about you, but when I first learned I had an ability with words, I immediately assumed it could only be for one reason: I was destined to publish books!
By Daniel Schwabauer You’re four chapters into a novel—a project that recently excited you with its promise of fascinating characters and unexpected plot twists—when you realize your book isn't going to work.
By M. R. Shupp, Student Contributor Overcoming the cringing and sneering of your inner editor to write that first draft is not for the faint of heart. But when I started editing and taking classes to train my inner editor to be especially keen and nitpicky, I found first drafts to be even harder.