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1. The approach of this course is to teach what’s called “formula fiction.”


2. Which one of these statements is true?


3. If a story follows a tried-and-true formula/pattern, and is well-written, it does not matter whether it has meaning. It will be a good story.


4. A(n) _______________ is a secondary story within the framework of your novel—a complete story that intertwines with your main one. (The blank stands in for one-word and multiple-word answers.)


5. It is fine to have more than one plot in your story, as long as they share the same story goal.


6. Why do I ask you not to use the technique of “cutting away from the action” by cutting between plots?


7. Chapter two might also be called Promises, Prophecies, and _____________________.


8. Dramatists sometimes refer to a ____________ between the expected and actual. The main objective of chapter two is to _____________ it. (The blanks stand in for one-word and multiple-word answers.)


9. Chapter four often shows the hero . . .


10. The mentor is often revealed as the mentor in chapter four.


11. Please enter your first and last name. (This field has no point value; we ask for your name so we can forward you your results if you do not receive an email copy.)

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